


The Bengal is a relatively new hybrid breed of cat, formed by the cross of a domestic feline and an Asian Leopard Cat ("ALC").
Bengal cats have "wild-looking" markings, such as large spots, rosettes, and a light/white belly, and a body structure reminiscent of the Asian Leopard Cat (Prionailurus bengalensis bengalensis).[1] The Bengal cat has a desirable "wild" appearance with a gentle domestic cat temperament, provided it is separated by at least three generations from the original crossing between a domestic feline and an ALC.[1]
The name Bengal cat was derived from the taxonomic name of the Asian Leopard Cat (P. b. bengalensis), and not from the unrelated Bengal tiger.
Cats rely strongly on body language to communicate.
Cat flu is the common name for a feline upper respiratory tract disease. It is a misnomer, since it usually does not refer to an infection by an influenza virus. Instead, it is a syndrome, a term referring to the fact that patients display a number of symptoms that can be caused by one or more of the following infectious agents (pathogens):
Take Care of My Cat (고양이를 부탁해 Goyangireul Butakhae) is a 2001 South Korean coming of age film. The movie chronicles the lives of a group of friends — five young women — a year after they graduate from high school, showing the heartbreaking changes and inspiring difficulties they face in both their friendships and the working world.
Though critically acclaimed in its native South Korea, the film's box office returns were not so great, prompting a 'Save the Cat' movement involving film-industry professionals to try to increase viewership before its theatrical run would be cut short. The film went on to many international film festivals as well, where it received awards and special mentions.
The film is the debut work of director Jeong Jae-eun, who would later go on to direct the 2005 film The Aggressives.
The narrative of the 3 characters (when you consider the twins to be minor to the story) relates some important themes of modernity and how it is localized to the city of Incheon.
The twins are of Chinese descent, revealed when they drop off a regard gift to their grandparents, who speak Chinese and are understood by the twins. We do not know if the twins themselves can speak or even read Chinese.
This underlies that Incheon once had a sizable Chinese community. The director alludes to this through hints--one of the girl's father has an insatiable appetite for Chinese dumplings, one of the girls models a Chinese traditional red dress that fits her perfectly.
Ironically it is the poorest member of the group of girls who is the real native to Korea. The story shows how alien Seoul is this group of young women and in a way show how alienated and alone the actual Korean girl is in this group of women who have already instinctively embraced the underlying impulses of city life and their surrounding ethos.
The young girl with cat is scholarly, artistic and filial (though she chides her grandparents she takes great care of them through her actions). Her character being that representative of what many Koreans would see as native to the Han spirit. Yet her virtues mean little in the face of modern culture and times. In a way, she is part of the old world Korea--where old Shamanistic Confucian values have little impact on today's success.
Character Analysis
Tae-Hee Yoo (Doo-na Bae): Spirited, caring, glue of the friendship
Hae-joo Shin (Yo-won Lee): Materialistic, ambitious, selfish, neglect's friendship for her future
Ji-young Seo (Ji-young Ok): Rebellious, quiet, reserved
Bi-ryu (Eun-shil Lee) & Ohn-jo (Eun-jo Lee): Funny, entertaining, straightforward
The folklore surrounding black cats varies from culture to culture. In Great Britain, black cats are a symbol of good luck. The Scottish believe that a strange black cat's arrival to the home signifies prosperity. Furthermore, it is believed that a lady who owns a black cat will have many suitors.[1] However in Western history, black cats have often been looked upon as a symbol of evil omens, specifically being suspected of being the familiars of witches; other cultures consider them to be bad luck as well. The gambling world is afraid of a black cat: it is believed that if, while traveling to a casino, a black cat crosses a gambler's road or path, that person should not go to the casino; most players believe that black cats bring bad luck.[2] Other black creatures, such as black dogs, have shared in the prejudice and suspicion of being "familiars".
The black cat in folklore has been able to change into human shape to act as a spy or courier for witches or demons. During the Middle Ages, these superstitions led people to kill black cats. This had the unintended consequence of increasing the rat population and the spread of the Black Death (bubonic plague) and other diseases carried by rodents.[3] There is no evidence from England of regular large-scale massacres of "satanic" cats, or of burning them in midsummer bonfires, as sometimes occurred in Europe.[4]
However, the supernatural powers ascribed to black cats were sometimes viewed positively, for example by sailors considering a ship's cat in general and a black one in particular as luck for their ship.[5] Sometimes, fishermen's wives would keep black cats at home too, in the hope that they would be able to use their influence to protect their husbands at sea (see Ship's cat).
Black cats have been found to have lower odds of adoption in American shelters compared to other colors (except brown).[6] Some shelters also stop adoptions of black cats around Halloween for fear they will be tortured. However, in the history of humane work, no one has ever documented any relationship between adopting black cats, and cats being killed or injured.[7]
Pirates of the 19th century believed that a black cat would bring different kinds of luck. If a black cat walks towards someone, that person will have bad luck. If a black cat walks away from someone then that person will have good luck. If a black cat walks onto a ship and then walks off it, the ship is doomed to sink on its next trip.
Since the 1880s, the colour black has been associated with anarchism. The black cat, in an alert, fighting stance was later adopted as an anarchist symbol.
More specifically, the black cat—often called the "sab cat" or "sabo-tabby"[8]—is associated with anarcho-syndicalism, a branch of anarchism that focuses on labor organizing (see Wildcat strike).
In testimony before the court in a 1918 trial of Industrial Workers of the World leaders, Ralph Chaplin, who is generally credited with creating the IWW's black cat symbol, stated that the black cat "was commonly used by the boys as representing the idea of sabotage. The idea being to frighten the employer by the mention of the name sabotage, or by putting a black cat somewhere around. You know if you saw a black cat go across your path you would think, if you were superstitious, you are going to have a little bad luck. The idea of sabotage is to use a little black cat on the boss."[9]